Ronald sims saxophone

Although his first instrument was the cornet, he started playing the saxophone aged He got his first job at the Glasgow-based Tommy Sampson's Orchestra. He later moved to the US and recruited by Woody Herman, with whom he toured for two years.

As a mostly self-taught musician, he developed his facility on all of his instruments using unconventional techniques, which gave his playing an unmatched fluidity. At the age of 20 he dropped his alto saxophone off to be repaired, and the only horn the shop had to loan him was the bari sax.

After that, the baritone sax became his main, but not only instrument. Brignola gained gained initial international exposure when he toured with Ted Curson in the mid s.

They remained friends for the rest of his life. The even reunited in the mid s and played several gigs at the Tin Palace in New York City where they recorded their only album. Though commonly known as a bandleader, he recorded and released albums such as Baritone Madness with one of his idols, bebop heavyweight Pepper Adams, and a several tribute albums with an equally stunning cast paying respect to Gerry Mulligan and Lee Morgan.

He played a crucial role in the three-baritone sax band which also payed tribute to Gerry Mulligan. Adams is considered, in many ways, as the antithesis os cotemporary players Gerry Mulligan and Serge Chaloff who favored melodic cool jazz.

He managed to bring the cumbersome baritone into the blisteringly fast speeds of hardbop with "very long, tumbling, double-time melodic lines, and a raw, piercing, bark-like timbre. Adams also co-led a quintet with Donald Byrd between and He embarked on a solo career from in California, where he soon played in gigs with Mingus, Baker, and Hampton.

Serge Chaloff is widely renowned as the first and greatest bebop baritonist. He is often colorfuly described as the "most expressive and openly emotive baritone saxophonist jazz has ever witnessed". His tone often varied "between a light but almost inaudible whisper to a deep sonorous shout with the widest, incredibly moving vibratos.

With Raeburn, he made his first recordings , including "Interlude" Dizzy Gillespie's A Night in Tunisia where his baritone can be heard in the opening section of the song. It is during this time that his heard Charlie Parker, who later became his major stylistic influence.

Ronald Edward Cuber is a jazz baritone saxophonist who is known for hard bop and Latin jazz. As a sideman, he has played most notably with B. Resides in Douglasville, GA. Related To Linda Sims. Includes Address 12 Email 1. Includes Address 1 Phone 4. Resides in Williamsburg, VA. Includes Address 10 Phone 7 Email 2.

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Includes Address 11 Phone 3. Resides in Whigham, GA. Related To Helen Sims. Includes Address 9 Phone 4 Email 1. Resides in Beaumont, TX. Includes Address 16 Phone 12 Email 6. Resides in Chattanooga, TN. Includes Address 1. Resides in Flint, MI. Includes Address 6 Phone 4 Email 3. Resides in Wellington, NV. Also known as Ron P Sims. After playing with Thelonious Monk he became enamored with the quirky pianist's compositions and rarely performed or recorded without including at least one Monk tune in his repertoire.

Lacy also adventured into the avant-garde and the experimental music scene. His work and the work of saxophonist John Coltrane on the soprano would influence legions of players that followed. Reportedly Miles Davis purchased a soprano for his saxophonist at the time John Coltrane, while the group was on tour in Europe in March of Coltrane started progressively using the straight horn and he soon after broke from Davis to form his own group with McCoy Tyner on piano, Steve Davis on bass and Elvin Jones on drums.

At that time only Steve Lacy was actively utilizing the instrument in jazz. The instrument had little reach outside its limited use in the world of jazz until saxophonist John Coltrane made his ground-breaking album My Favorite Things using his soprano.

The adventurous Coltrane made the soprano soar on this modal exploration of a Rogers and Hammerstein song from the Broadway show The Sound of Music. The song was transformed into a hypnotically driven, raga inspired chant whose melody was immediately familiar despite its wildly exploratory improvisational forays over a repeated vamp. It became an instant hit and a vital bridge to an expanding non-jazz audience. It also opened the doors for many future players to explore the transcendental, eastern inspired sound of this unique instrument.

The multi-instrumentalist not yet Rahsaan Roland Kirk played a manzello quite proficiently. The manzello is a King saxello soprano saxophone with an extended bell.

Kirk made his statement on the instrument in the late sixties with his "A Handful of Fives. Since Coltrane, world and jazz music has seen a proliferation of players who have taken the instrument down new and unexpected paths.

When fusion came on the scene in the early seventies, mixing the bombast of rock with the improvisational bravado of jazz, the soprano found its way into the music.

Saxophonist's like Pharaoh Sanders, a Coltrane disciple, took the music into a spiritual mode allowing us all to "Astral Travel" with or without the aid of hallucinogens from his album Thembi. Multi-reed players who mostly played tenor would occasionally feature their soprano skills throughout their careers. Notable players like Zoot Sims, who came to the soprano relatively late in his career, did a beautiful version of "Moonlight in Vermont" from his album Soprano Sax.

The masterful Jerome Richardson was no stranger to the soprano and his work can be heard from the early fifties into the late nineties on such big bands as the Mingus Big Band and Oliver Nelson's Big Band.

At the same time Bechet devotees like Bob Wiber and Kenny Davern would keep the Dixieland spirit of the old master alive, although admittedly modernized, with songs like "Song of Songs" a dueling soprano performance from No list of soprano masters would be complete without the extraordinary work of the great Wayne Shorter.